Open App
WIDE GOLD ★ she laughs CU door slam glass breaks

From shoot to timeline
in one drag.

Clapper runs on the phone in your pocket. Tap what happens during the take, and it writes the shot log your editor actually needs.

SC 12 · INT. KITCHEN - NIGHT STBY
00;00;00;00
WIDECUGOLD ★
door slamshe laughs ★glass breaks
Counts clips like your camera.
SONY A7S · C0001
IPHONE · IMG_0001
RED · A001_C001
ARRI · A001C001
GOPRO · GX010001
Don't see yours? Clip patterns are editable.

What it does

The shot log writes itself.

You shoot. Your phone keeps score.

The handoff

Tapped. Named. Marked.

The handoff, by the numbers
3taps per take
1file for your editor
0bars of signal needed

So I took this short on as a favour, shot over two weekends in the director's cousin's flat, no script supervisor, half the crew were film students. Normally on a set like that I lose my first evening just scrubbing around trying to work out which take she actually liked. This time the one she'd been going on about came in with a GOLD flag on it and I clicked straight to it. Got the evening back, which on a job at this budget never happens.

Devika
editor

ok so we record the podcast in one continuous two hour roll and finding anything after used to be my whole evening, just scrubbing. this time every moment they'd tapped during the session came in as a marker. sponsor read, the tangent, the bit where the guest cracked up. i jumped mark to mark and had the cut same night. ui is pretty bare, looks like something a student made, but it did the thing.

Arjun
podcast editor

We wrapped a night exterior at 2am in drizzle and there was just... nothing left to do. No paper log to chase around, no one sitting in their car typing. I went home.

Fiona
1st AD

I'll be honest, producers hand me an app about once a year and it's dead by lunch on day two because someone has to keep feeding it. Told our AD I wasn't touching this one, we were doing 30-something setups a day on a kitchen shoot for a client who kept rewriting lines, I did not have hands free. Our second AC had the phone anyway so it wasn't my problem. What got me was at wrap I checked the export against my cards, C0247, C0248, right down the line, no drift, no off-by-one, and that's the exact thing these apps always screw up. I'd make the tag chips bigger though, he kept fat-fingering them and swearing. But the numbers matched mine, so fine.

Marcus
DP

We shoot weekends, self-funded, and the last one was a farmhouse with basically no network, where most apps just give up. Monday I sent the XML and the PDF log to a freelance editor I'd never met. She didn't message me once, not even a 'which folder'. Battery took a hit by evening, a power bank on the cart sorted it.

Priya
producer-director
Set
Script
Takes
The Cut
How it works.
01

On set

Tap what happens. Clapper stamps when.

  • ROLL arms the log
  • Chips flash as you tap
  • GOLD flags the keeper
02

Script Mode

Feed it the script. Every key moment becomes a button.

  • PDF in
  • Every key moment from every shot
  • Key moments become chips
03

Clip numbers

It counts files like your camera does.

  • Pick your body: Sony, iPhone, RED, ARRI, GoPro
  • Every cut bumps the number
  • The log matches the card
04

The cut

One XML. Every take arrives named.

  • Clips named SC12_T04_CU
  • Brass markers at your taps
  • GOLD already flagged

No lock-in

Camera-agnostic. Editor-agnostic.

At wrap, export it your way: Premiere XML for the edit, a PDF shot log for the producer, a CSV for everything else. Plain files. No lock-in.

sunday_shoot.xmlDrops into Premiere. Takes named, markers placed.
shotlog.pdfFor the producer. GOLD takes highlighted.
takes.csvEvery take, every tag, every timecode.

Plain files your tools already read. Nothing proprietary.

Today 2:14 AM

take 3 was the one. or maybe the one after. the one where she actually laughs

The text you won't have to send.

Bless your editor.
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